Blog
The Test of Time Awards07.26 / The Architecture of Intuition10.21 / Visual weight07.20 / Thames during Lockdown05.20 / #onephotochallenge05.20 / The Original and the Copy02.20 / Up and Down09.19 / Watching Paint Dry06.19 / Gathering Light04.19 / Signs of Life03.19 / The (un)Illuminated River03.19 / Architectural Photography Awards 201810.18 / The Colour of Water05.17 / Take it as it comes01.17 / Made of Light Too website launched01.17 / Where is Everybody?11.16 / Arcaid Images Architectural Photography Awards10.16 / Appropriate Light, Serpentine Pavilion10.16 / No Drama10.16 / Every Day is a Good Day09.16 / Sunset + 20 minutes09.16 / Appropriate Light, Turner Contemporary Margate08.16 / In Context04.16 / Fuzzy Boundaries03.16 / Is it possible to photograph the lights going on and off?07.15 / Feature in Lighting04.15 / Restoring the Light04.15 / Waiting for a Solar Eclipse03.15 / In Praise of Darkness10.14 / Creative Review Award11.13 / Nocturnal Change06.13 / The Logistics of Space05.13 /
The Test of Time Awards07.26 / The Architecture of Intuition10.21 / Visual weight07.20 / Thames during Lockdown05.20 / #onephotochallenge05.20 / The Original and the Copy02.20 / Up and Down09.19 / Watching Paint Dry06.19 / Gathering Light04.19 / Signs of Life03.19 / The (un)Illuminated River03.19 / Architectural Photography Awards 201810.18 / The Colour of Water05.17 / Take it as it comes01.17 / Made of Light Too website launched01.17 / Where is Everybody?11.16 / Arcaid Images Architectural Photography Awards10.16 / Appropriate Light, Serpentine Pavilion10.16 / No Drama10.16 / Every Day is a Good Day09.16 / Sunset + 20 minutes09.16 / Appropriate Light, Turner Contemporary Margate08.16 / In Context04.16 / Fuzzy Boundaries03.16 / Is it possible to photograph the lights going on and off?07.15 / Feature in Lighting04.15 / Restoring the Light04.15 / Waiting for a Solar Eclipse03.15 / In Praise of Darkness10.14 / Creative Review Award11.13 / Nocturnal Change06.13 / The Logistics of Space05.13 /
Watching Paint Dry 06.19
Taking the opportunity presented by an empty room with one window facing east I photographed a series of variations in colour temperature taken across the course of a day. The variety of colour is astonishing and is a good example of why I like to paint interiors white*, the light entering a space has infinite variety and more colours than I know how to name. Even in subtle light conditions colour comes from light, not paint.
(*since taking these pictures this room has been redecorated with a fresh covering of white emulsion)