Blog
The Test of Time Awards07.26 / The Architecture of Intuition10.21 / Visual weight07.20 / Thames during Lockdown05.20 / #onephotochallenge05.20 / The Original and the Copy02.20 / Up and Down09.19 / Watching Paint Dry06.19 / Gathering Light04.19 / Signs of Life03.19 / The (un)Illuminated River03.19 / Architectural Photography Awards 201810.18 / The Colour of Water05.17 / Take it as it comes01.17 / Made of Light Too website launched01.17 / Where is Everybody?11.16 / Arcaid Images Architectural Photography Awards10.16 / Appropriate Light, Serpentine Pavilion10.16 / No Drama10.16 / Every Day is a Good Day09.16 / Sunset + 20 minutes09.16 / Appropriate Light, Turner Contemporary Margate08.16 / In Context04.16 / Fuzzy Boundaries03.16 / Is it possible to photograph the lights going on and off?07.15 / Feature in Lighting04.15 / Restoring the Light04.15 / Waiting for a Solar Eclipse03.15 / In Praise of Darkness10.14 / Creative Review Award11.13 / Nocturnal Change06.13 / The Logistics of Space05.13 /
The Test of Time Awards07.26 / The Architecture of Intuition10.21 / Visual weight07.20 / Thames during Lockdown05.20 / #onephotochallenge05.20 / The Original and the Copy02.20 / Up and Down09.19 / Watching Paint Dry06.19 / Gathering Light04.19 / Signs of Life03.19 / The (un)Illuminated River03.19 / Architectural Photography Awards 201810.18 / The Colour of Water05.17 / Take it as it comes01.17 / Made of Light Too website launched01.17 / Where is Everybody?11.16 / Arcaid Images Architectural Photography Awards10.16 / Appropriate Light, Serpentine Pavilion10.16 / No Drama10.16 / Every Day is a Good Day09.16 / Sunset + 20 minutes09.16 / Appropriate Light, Turner Contemporary Margate08.16 / In Context04.16 / Fuzzy Boundaries03.16 / Is it possible to photograph the lights going on and off?07.15 / Feature in Lighting04.15 / Restoring the Light04.15 / Waiting for a Solar Eclipse03.15 / In Praise of Darkness10.14 / Creative Review Award11.13 / Nocturnal Change06.13 / The Logistics of Space05.13 /
Fuzzy Boundaries 03.16
“Architecture is the separation of interior from exterior space. It is creating a kind of boundary between inside and outside. That seems simple, but is actually quite difficult. If walls are used to separate interior from exterior, as has been the case in most architecture up to now, establishing a boundary is simple. But interior and exterior do not need to be sharply divided, like 0 and 1 in digital code, like black and white. Rather, an infinity of degrees actually exists between 0 and 1, and an infinite grading of shades exist between black and white. A boundary is not a simple line. Something we could describe as a ‘fuzzy boundary’ could also exist.”
From “Kyokai: A Japanese Technique for Articulating Space”
All images from a recent visit to Louvre-Lens by SANAA.