Blog
Stephen Taylor Court in Dezeen12.22 / 90for90 – Vajrasana Buddhist Centre03.22 / Bath Abbey in L+D10.21 / 100 Liverpool Street in arc10.21 / Bath Abbey on FCB Studios Blog04.21 / Knole House in Lighting Journal03.21 / Green Heart Birmingham in arc02.21 / Westminster Abbey in A1 Lighting10.20 / The Prince Akatoki in arc06.20 / #onephotochallenge05.20 / Norwich Cathedral in L+D03.20 / Tombola House in RIBA Journal12.19 / Illuminated River at Lightspace11.19 / Illuminated River in Architectural Record11.19 / The Architecture of Intuition10.19 / Gasholders in L+D10.19 / Up and Down09.19 / Tombola House in AJ09.19 / Illuminated River in arc09.19 / Royal Academy in Lighthinking06.19 / Watching Paint Dry06.19 / Glover’s Alley in B-EAT05.19 / English City Gardens in Arc05.19 / Gathering Light04.19 / Signs of Life03.19 / The (un)Illuminated River03.19 / Gasholders in Lighting10.18 / Architectural Photography Awards 201810.18 / The Royal Academy09.18 / T5 First Wing featured in Arc02.18 / Mithras image in Architectural Review02.18 / Bloomberg London in AJ12.17 / Lansdowne Club in FX05.17 / Take it as it comes01.17 / Made of Light Too website launched01.17 / Where is Everybody?11.16 / Arcaid Images Architectural Photography Awards10.16 / Appropriate Light, Serpentine Pavilion10.16 / Gasholder 8 in mondoarc10.16 / No Drama10.16 / Every Day is a Good Day09.16 / Sunset + 20 minutes09.16 / Appropriate Light, Turner Contemporary Margate08.16 / Guinness Storehouse in Lighting Magazine06.16 / 71 Queensway in the AJ05.16 / In Context04.16 / CP Hart Showroom in darc magazine03.16 / Fuzzy Boundaries03.16 / Oxford Brookes in Blueprint02.16 / Personal project on Documentary Platform01.16 / Oxford Brookes in Lighting/Blueprint12.15 / Is it possible to photograph the lights going on and off?07.15 / Feature in Lighting04.15 / Restoring the Light04.15 / Waiting for a Solar Eclipse03.15 / In Praise of Darkness10.14 / Sensing Spaces01.14 / Creative Review Award11.13 / Nocturnal Change06.13 / The Logistics of Space05.13 /
Stephen Taylor Court in Dezeen12.22 / 90for90 – Vajrasana Buddhist Centre03.22 / Bath Abbey in L+D10.21 / 100 Liverpool Street in arc10.21 / Bath Abbey on FCB Studios Blog04.21 / Knole House in Lighting Journal03.21 / Green Heart Birmingham in arc02.21 / Westminster Abbey in A1 Lighting10.20 / The Prince Akatoki in arc06.20 / #onephotochallenge05.20 / Norwich Cathedral in L+D03.20 / Tombola House in RIBA Journal12.19 / Illuminated River at Lightspace11.19 / Illuminated River in Architectural Record11.19 / The Architecture of Intuition10.19 / Gasholders in L+D10.19 / Up and Down09.19 / Tombola House in AJ09.19 / Illuminated River in arc09.19 / Royal Academy in Lighthinking06.19 / Watching Paint Dry06.19 / Glover’s Alley in B-EAT05.19 / English City Gardens in Arc05.19 / Gathering Light04.19 / Signs of Life03.19 / The (un)Illuminated River03.19 / Gasholders in Lighting10.18 / Architectural Photography Awards 201810.18 / The Royal Academy09.18 / T5 First Wing featured in Arc02.18 / Mithras image in Architectural Review02.18 / Bloomberg London in AJ12.17 / Lansdowne Club in FX05.17 / Take it as it comes01.17 / Made of Light Too website launched01.17 / Where is Everybody?11.16 / Arcaid Images Architectural Photography Awards10.16 / Appropriate Light, Serpentine Pavilion10.16 / Gasholder 8 in mondoarc10.16 / No Drama10.16 / Every Day is a Good Day09.16 / Sunset + 20 minutes09.16 / Appropriate Light, Turner Contemporary Margate08.16 / Guinness Storehouse in Lighting Magazine06.16 / 71 Queensway in the AJ05.16 / In Context04.16 / CP Hart Showroom in darc magazine03.16 / Fuzzy Boundaries03.16 / Oxford Brookes in Blueprint02.16 / Personal project on Documentary Platform01.16 / Oxford Brookes in Lighting/Blueprint12.15 / Is it possible to photograph the lights going on and off?07.15 / Feature in Lighting04.15 / Restoring the Light04.15 / Waiting for a Solar Eclipse03.15 / In Praise of Darkness10.14 / Sensing Spaces01.14 / Creative Review Award11.13 / Nocturnal Change06.13 / The Logistics of Space05.13 /

Sensing Spaces 01.14
So this was refreshing, an architecture exhibition that was fully engaging and immersive. An exhibition you could touch, hear and smell as well as see, a series of installations that you could walk in and on and be part of. Built to be experienced (and this is surely the only way to see architecture) ‘Sensing Spaces – Architecture Reimagined’ is on now at the Royal Academy and well worth a visit.
“How might an exhibition highlight the sensation of inhabiting built space rather than the purely functional or visual aspects of architecture?” Asks the RA, well by creating physical interventions within the gallery spaces it answers. I have enjoyed the Serpentine Gallery Pavilions for many years for exactly these reasons, they create spaces that you can visit and be within, the architect does not have to explain something, they have to do something and ‘doing’ is their job.
Seven architects have been invited to create installations and there is no need to go into details here except to say that Lu Xiaodong was a highlight. His installation creates a new space within a space using of natural twigs to create walls, uplift through a translucent floor and winding round and round like a geometric forest path leading to various secret little spaces and cubbyholes before ending in what was described as a Zen garden but was actually more like a pebble beach that made lovely crunching sounds when walked on.
Sensing Spaces – pebble crunch
Architecture exhibitions are often rather dry affairs, either that or they are so chock full of drawings, models, sketchbooks, quotes, photographs and films that it is difficult to know where to begin and how to gain much of value from it (beyond what you can get from a good book) – I felt the recent Richard Rogers exhibition at the RA was a bit like this. So I recommend ‘Sensing Spaces’ for the experience, for the chance to see how space can be completely transformed with (relatively) little intervention and for the chance to visit an architecture exhibition that is fun.